What to Watch
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Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
CRITIC’S PICK
The latest installment in George Miller’s apocalypse thriller series premiered at Cannes this week. It tells the origin story of the Imperator Furiosa, the breakout character from the 2015 “Fury Road,” played then by Charlize Theron and now by Anya Taylor-Joy.
From our review:
Furiosa’s reticence is strategic, as well as a trait she shares with Mad Max himself, the model for her taciturn avenger. While Furiosa is hiding in plain sight in the Citadel, her circumspection protects her, but it also accentuates her existential plight. She’s alone, spiritually and in every other respect, at least before meeting Praetorian Jack (not that they’re chatty). Hers is a lonely burden and, as the story and the fighting continue, it gives “Furiosa” a surprising emotional heaviness which can make this exciting, kinetic movie feel terribly sad.
In theaters next week. Read the full review.
This biopic follows the pop star Amy Winehouse’s rise to fame and her tumultuous personal life, including her complicated relationships with her father and her boyfriend.
From our review:
Given the movie’s light-fingered treatment of some facts around the two most important men in Winehouse’s life, the picture starts to sharpen. “Back to Black” is far from the first biopic that smooths the edges off real people for the Hollywood treatment. But because the movie’s stated aim is to re-center Amy in her own story, it feels gross.
In theaters. Read the full review.
Young Bea (Cailey Fleming) discovers a group of forgotten imaginary friends and teams up with her neighbor Cal (Ryan Reynolds) to reunite them with their BFFs.
From our review:
Any child over 5 will predict the Keyser Söze twist in Bea and Cal’s relationship. But this is a film that spells out its intentions for an audience still learning its ABCs, a film where Michael Giacchino’s misty violins never stop insisting how to feel, where Krasinski’s goofy dad literally wears a heart on his chest.
In theaters. Read the full review.
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