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Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
CRITIC’S PICK
The latest in this sci-fi series follows a group of rebels as they face off against an authoritarian ruler who has twisted the peaceful teachings of a previous leader.
From our review:
There’s a knowing sense that all this has happened before, and all this will happen again. That’s what makes “Kingdom of the Planet of the Apes” powerful, in the end. It probes how the act of co-opting idealisms and converting them to dogmas has occurred many times over. What’s more, it points directly at the immense danger of romanticizing the past, imagining that if we could only reclaim and reframe and resurrect history, our present problems would be solved.
In theaters. Read the full review.
This hallucinatory romp directed by Harmony Korine conveys the journey of an assassin entirely through thermal imaging with added digital effects.
From our review:
Whether it’s the thermal imaging or the augmentation, the visual style renders eyes practically invisible, leaving the actors without an important means of communication. … That absence might account for why “Aggro Dr1ft” is so unengaging on a narrative level, but the monotony might also have to have something to do with the protagonist, a hit man extraordinaire who is also (gasp) a family man. The world’s greatest assassin has been saddled with the world’s most sophomoric internal monologue. “I am a solitary hero. I am alone. I am a solitary hero. Alone,” he mumbles.
In theaters. Read the full review.
CRITIC’S PICK
Five teenagers embark on a road trip to a “party at the end of the world” and encounter many fellow misfits along the way in the latest from filmmakers Bill and Turner Ross.
From our review:
There’s an uncommon sweetness to this film, which is less about running away from something and more about discovering the road of life is littered with goodness, if you know where to look. There’s a loose, languorous quality to “Gasoline Rainbow,” which the Rosses shot using a mostly improvised format, a collaboration between actors and filmmakers. It feels like a home movie, or a documentary — a capture of a slice of life in which there’s no plot other than whatever happens on the road ahead.
In theaters. Read the full review.
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