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What to Watch
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New films, and classics, just keep coming, but you don’t have to drill down to find the finest selections to stream. We’ll do the heavy lifting. You press play.

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As Netflix pours more of its resources into original content, Amazon Prime Video is picking up the slack, adding new movies for its subscribers each month. Its catalog has grown so impressive, in fact, that it’s a bit overwhelming — and at the same time, movies that are included with a Prime subscription regularly change status, becoming available only for rental or purchase. It’s a lot to sift through, so we’ve plucked out 100 of the absolute best movies included with a Prime subscription right now, to be updated as new information is made available.
Here are our lists of the best TV shows and movies on Netflix, and the best of both on Hulu and Disney+.
The “Marriage Story” and “Frances Ha” director Noah Baumbach made his feature debut with this wry and witty 1995 indie comedy. He tells a story of 20-something ennui, as four university pals (played with verve by Chris Eigeman, Josh Hamilton, Carlos Jacott and Jason Wiles) knock around their college town in the year after graduation, not quite sure what to do with themselves. Baumbach’s dialogue is crisp and quotable, and the relationships are uncommonly rich, thanks in no small part to the performances of Olivia d’Abo, Parker Posey and Cara Buono as the endlessly patient women in their lives.

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When Jordan Peele’s crossover to feature filmmaking was announced, many who were familiar only with his work as half of the sketch comedy team Key & Peele presumed he would continue to work in that wild comic style. No one could have predicted that he would turn the entire horror genre upside down, but that’s exactly what he did with this nail-biting combination of social commentary and scary movie. What begins as a “Guess Who’s Coming to Dinner” riff — a wealthy young white woman (Allison Williams) bringing her Black boyfriend (Daniel Kaluuya) home to meet her parents — turns into something far more sinister and unpredictable; Peele’s directorial instincts are striking from the first frame onward.

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