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This streaming service collects low-budget, high-creativity movies with outsider status. We single out some of the best on offer.
Few words in the cinematic sphere are misappropriated as frequently and as flagrantly as “cult” (no, friends, “Mean Girls,” a pop culture phenomenon as well as critical and commercial success upon its initial release, is not a “cult classic”), so one of the many refreshing pleasures of the streaming service Cultpix is that the titles it streams are honest-to-God cult movies.
And what exactly is a cult movie? Definitions and explanations vary, of course; Danny Peary, who literally wrote the book on the subject, defined them as “special films which for one reason or another have been taken to heart by segments of the movie audience, cherished, protected, and most of all, enthusiastically championed.” This is a generously broad definition, however; most blue-blood cinephiles consider low budgets, outsider status, commercial indifference, critical hostility or obscurity to be important factors as well. When the question is posed more directly on Cultpix’s FAQ page, the answer is even simpler: “We decide what is a cult film. This is not a democracy, this is a cult.”
Cult movies and the internet have gone hand in hand since the latter’s beginning — in fact, the first feature film ever streamed online was the 1992 cult film “Wax: Or the Discovery of Television Among the Bees” — and while the click-of-a-button ease of online interactions (from streaming to torrenting to disc rental and purchase) has reduced the obscurity factor, it has also allowed online communities of cult film fans to flourish.
Our monthly spotlight on lesser-known but worthwhile streaming services has included a fair amount of fringe programming for viewers tired of the same titles rotating between Netflix, Amazon Prime Video, Max and Hulu, but Cultpix (which launched in 2021) offers the wildest variety of options to date: long-forgotten crime thrillers, horror oddities, cheapo fantasy flicks, documentaries of dubious merit, women-in-prison pictures, weirdo westerns, drug dramas, kung fu galore, kaiju city-smashers, and erotica of various shapes and styles. (Consider yourself warned: There are plenty of firmly adults-only titles.)
Other collections are even more specialized. To honor the recent loss of Roger Corman, the king of exploitation cinema, the service has re-upped its birthday tribute to the filmmaker. There is a spotlight on “Video Nasties,” films of extreme violence targeted and banned in England in the 1980s and 1990s. The “Background Films for Parties” section offers exactly what it promises — collections of trailers, shorts, adult film “loops,” “soundies” (jukebox musical shorts that were, put simply, the first music videos), and other cinematic ephemera. They also boast a wide enough variety to present a handful of genuinely amusing sub-sub-genres, including “Juvenile Delinquent,” “Fake Gorilla Suit,” “Mad Scientist” and “Women in Fur Bikini”; if you don’t have to have those explained to you, well, you’re the target audience.
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